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A virtually plotless, gaudy, impressionistic portrait of Rome through the eyes of one of its most famous citizens, blending autobiography a reconstruction of Fellini's own arrival in Rome during the Mussolini years; a trip to a brothel and a music-hall with scenes from present-day Roman life a massive traffic jam on the autostrada; a raucous journey through Rome after dark; following an archaeological team through the site of the Rome subways; an unforgettable ecclesiastical fashion show.
Parental Guide. This film consists of many different mini films within a film and all are tied together because they have something no matter how tenuous to do with Rome. Some are rather touching, some are very crude, some are meant to be very offensive but none of them were boring and all were accompanied by the usual cast of Felliniesque extras ugly people, huge breasted whores and the like. Instead of a traditional narrative or plot, he just took disparate images and segments having to do with Rome and tossed it all together into a compote of sorts without a lot tie it all together.
What could be easier? While a new or struggling director would have probably been ignored or castigated for such excess and lack of discipline, since it was the great Fellini, then it was the work of an artiste.
In other words, since he'd attained great international fame by creating some wonderful films, now he was free to screw around and do anything he wanted and STILL pack theaters and make the critics happy! Talk about a great life! Although an appreciation of the city informs every part of the movie, Rome is not so much the subject as the occasion for a film that is not quite fiction and surely not fact, but rather the celebration of an imaginative collaboration full of love and awe, suspicion, admiration, exasperation and a measure of well-qualified respect.
It is also, for me, the most enjoyable Fellini in a dozen years, the most surprising, the most exuberant, the most beautiful, the most extravagantly theatrical. The audience I saw it with kept interrupting the film with applause. When he does go outside, he treats the very streets as a sound stage, with unreal lights and shadows playing over the facades. Description Travelogue, memoir, and outrageous cinematic spectacle converge in this kaleidoscopic valentine to the Eternal City, composed by one of its most iconic inhabitants.
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